Vocalist - Soprano
Review: Opera Santa Barbara's The Consul and SBCC's Ground

“You need to listen to the heart-wrenching and human-affirming arias like ‘Shall We Ever See?’ sung magnificently by Mother (Buffy Baggott) or ‘To This We’ve Come’ sung by Magda Sorel (Alexandra LoBianco). And you have to feel Menotti’s musical genius for symphonic writing, played by a crack orchestra under the direction of Brent Wilson. The overall experience was mesmerizing and thoroughly satisfying.”

Joseph Miller, Santa Barbara Independent
In classical music the year, St. Louis champions new opera
“Benjamin Britten, who turned 100, got the lion’s share of the attention, particularly in St. Louis. Richard Wagner, at 200, did less well; on the other hand, he didn’t write a lot of church music or chamber works. Wagner also got a dandy nod from Union Avenue Opera in August, with the second installment of Jonathan Dove’s reduced ‘Ring’: ‘Die Walküre,’ with a fine cast headed by Alexandra LoBianco’s Brünnhilde.”
Sarah Bryan Miller, St.Louis Post-Dispatch
A Classical Version of Rhythm--and Booms
“Alexandra LoBianco immediately showed she’s got the Wagnerian chops for her upcoming Brunnhilde with an aria from Tannhauser. Like her colleagues, she showed a polished gift for broad humor in ‘I’m Easily Assimilated.’”
Greg Hettmansberger, Madison Magazine
Symphony Review
“Guest soloists Harold Meers, Hugh Russell, and Alexandra LoBianco added depth to the music. Taken together, the whole piece represented an incredible amount of work – work which paid off in excellence.”
William R. Wineke, Channel3000.com
Madison Symphony Closes Season with Surprises Galore
“Soprano Alexandra LoBianco in the opening movement and tenor Harold Meers in the second were perfectly cast.”
Greg Hettmansberger, Madison Magazine
Conclusion of Madison Symphony Orchestra's 2012-13 season
“The three fine soloists -- soprano Alexandra LoBianco, tenor Harold Meers and baritone Hugh Russell -- sound fully convincing.”
John W. Barker, Isthmus Publishing Company
MADAMA BUTTERFLY - Baltimore Concert Opera
“Alexandra LoBianco offered a creamy tone and sensitive phrasing in the title role.”
Tim Smith, Baltimore Sun
“In her Madison debut, Alexandra LoBianco proved herself a true Verdi soprano, with a powerhouse voice and passionate dramatic projection.”
John Barker, The Isthmus
“A beautifully steely voice. ... One of the best all-around performances I can remember.”
Sarah Bryan Miller, St. Louis Post-Dispatch
“Alexandra LoBianco took first prize.”
Opera News
Total: 40 (Viewing: 31–40)