Vocalist - Tenor
Acclaim
SWEENEY TODD - Atlanta Opera

"Christopher Bozeka played the charlatan Adolfo Pirelli with elixirs concocted of piss and ink, his bright tenor bright and pleasant."

Stephanie Adrian, Opera News
Atlanta Opera gives ‘Sweeney Todd’ plenty of edge

"Christopher Bozeka shines in the supporting comic role of the showy mountebank Adolfo Pirelli: He performs the part as a broad satire of a flashy, pompous, old-school Italian opera singer, a fitting and funny take that he pulls off with aplomb."

Andrew Alexander, The Atlanta Journal-Constitution
Kinetic Ensemble "Inner Voices" Concert

"Tenor Christopher Bozeka, an HGO studio alumnus, entered Cotton’s 'Pastoral' scene with a pure, clarion voice, and sensitively added tender playfulness to paint the picture of 'a very little, little flock'...Bozeka was fantastic in the 'Lyke-Wake Dirge,' building up an atmosphere of menace and fear within the repetitive construction of the verse through a variety of vocal colors, from muted and ethereal to firm and powerful...[He] showed off another side of his versatile voice in Jonson’s 'Hymn to Diana,' having a bit of light-hearted, nimbly articulated fun while the strings shimmered brightly behind him."

Sherry Cheng, Arts & Culture Texas
Sweeney Todd at Glimmerglass Festival

“Christopher Bozeka as the greasy showman Pirelli brought a knowing chuckle from this opera-savvy audience which recognized their form’s excesses.”

Susan Galbraith, DC Theatre Scene
Gianni Schicchi - Merola Opera

“Tenor Christopher Bozeka momentarily quieted the bluster with a handsome, open-throated rendering of Rinuccio's aria.”

Jeffery S. McMillan, Opera News
Verismo steals the show at Merola Grand Finale

“Among the singers who managed to shine even under the circumstances were soprano Amina Edris and tenor Christopher Bozeka, who joined forces for a tonally lustrous and expressively captivating account of the love duet from Gounod’s ‘Roméo et Juliette.’”

Joshua Kosman, San Francisco Chronicle
Uproarious ‘Gianni Schicchi’ anchors Merola’s double bill

“Tenor Christopher Bozeka sang with beautiful, piercing tone and lyrical urgency as Rinuccio.”

Joshua Kosman, San Francisco Chronicle
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