Vocalist - Soprano
'Orphee' an opera worth repeating

“The Princess, portrayed by Heather Buck, making her Pittsburgh Opera debut … was a commanding presence and successfully captured the character’s seductive nature.”

Elizabeth Bloom, Pittsburgh Post-Gazette
Brokeback Mountain, Teatro Real, Madrid

“Heather Buck … create[s a] telling portrait as Alma (Ennis’s wife).”

John Allison, The Telegraph (UK)
Lyrical Cowboys in Love, on Stage
“The opera gives Alma, Ennis’s wife, an introductory scene that is not in the story or the film. We see her bright and hopeful as she shops for a wedding dress with her mother and spends more than the meager family budget allows. As sung by the radiant soprano Heather Buck, Alma is an impulsive young woman who thinks the sullen Ennis may actually be her means of escaping ranch life and living properly in town. But she is not dumb, as she tells Ennis during a horrible fight, and comes to know the truth about him.”
Anthony Tommasini, New York Times
“The vocal ensemble is very well-cast, with stellar performances by Daniel Okulich [as Ennis] and Heather Buck [as Alma].”
Juan Ángel Vela del Campo, El Pais
Virginia Opera's 'Magic Flute' a delight at GMU
“As the Queen of the Night, Mozart’s classic villainess, soprano Heather Buck whose singing we admired in the company’s production of Bizet’s ‘Pearl Fishers’ last season, navigated her character’s famously treacherous showpiece aria with fluidity. Brava!”
Terry Ponick, Washington Times
Music, not story, remains true treat of 'Magic Flute'
"Heather Buck, in her role as the Queen of the Night, is the standout in the Virginia Opera production of ‘The Magic Flute,’ but other performers shine as well.... Make no mistake: From soprano Heather Buck’s two ethereal Queen of the Night arias laced with coloratura filigree to a slew of bouncy tunes that merit a place on any operatic hit parade, stage director Michael Shell’s production is a supersized treat for the ear."
Roy Proctor, Richmond Times-Dispatch
This Is Your Brain on Opera
“The parts of the mothers were sung by Ms. Buck with a warm, polished tone that added much-needed plasticity to the vocal lines as they alternated between jagged intervals and hypnotic monotony.”
Corinna da Fonseca-Wollheim, New York Times
Soprano Heather Buck sings in Jonathan Berger's opera "Theotokia"
"... a superlative cast. Soprano Heather Buck was joined by the four members of New York Polyphony … to bring lustrous vocal life to the entire evening.”
Joshua Kosman, San Francisco Chronicle
Theater for the unfocused mind
“The singers were impressive. Buck proved a commanding presence as the Yeti Mother and as one of Paul's inner voices.”
Mark Swed, Los Angeles Times
Jonathan Berger operas probe troubled minds
“Both productions featured the considerable talents of soprano Heather Buck.… The vocalists were exemplary. Buck, singing with heat and luster, was an asset in both operas.”
Georgia Rowe, Mercury News
Opera Naples masters 'Midsummer Night's Dream' with creativity, talent
“Heather Buck as his queen, Tytania, has glorious coloratura and a regal presence.”
Harriet Howard Heithaus, Naples News
Opera review: 'The Pearl Fishers'
“Soprano Heather Buck … as the Brahman priestess, sings like an angel.”

Roy Proctor, Richmond Times-Dispatch
Review: 'The Pearl Fishers'
“Heather Buck. The soprano who sang the role of La Princesse in last season’s Virginia Opera production of Philip Glass’ ‘Orphée,’ returns as Leila, displaying a bright and flexible coloratura and deftly reconciling the character’s stylized priestess persona with the passionate woman within.”
Clarke Bustard, Letter V
Virginia Opera's 'The Pearl Fishers' may signal a turn to the conventional
“What this production had going for it was an excellent soprano at the top of the cast. Heather Buck, who gave a sexy, icy sheen to the role of La Princesse in last winter’s outstanding production of Philip Glass’s ‘Orphee,’ had an alluring presence and glimmering voice as Leila, the priestess who comes between two friends on the shores of ancient Ceylon. With pure, high notes even at pianissimo, beautifully controlled breath support and unobtrusive vibrato, Buck gracefully dispatched the trills and coloratura of the showpiece ‘O Dieu Brahma,’ at the end of Act I.”
Charles T. Downey, Washington Post
Virginia Opera's 'The Pearl Fishers' at GMU
“The only thing more beautiful than the melody is the priestess Leila. … The purity of her voice alone is enough to make the men fall in love with her. Heather Buck’s amazing high notes seemed to reach the stars, twinkle, and then come back down to heaven on earth.”
Mark Beachy, MD Theatre Guide
Strong cast does justice to classic

“As Leila, soprano Heather Buck was captivating when she first appeared in a stunning red costume. Her singing soon matched the visual delight. Her lovely timbre floated easily up to high notes and through extensive embellishment. If Bizet’s writing made her at times oddly coquettish, she also had more serious moments in which the depth of her emotion was clearly felt. Her story-telling in the second act was but one example of her expressive talent.”

The Virginian-Pilot
At Monadnock, two comic operas based on Chekhov's fiction
“The score uses three singers (soprano, baritone, and tenor) with a Mozartian chamber orchestra that pokes fun at Mozart, Puccini, and romantic operatic cliches, but also plays extensive lyrical passages. As Tamara, Buck shifted between grand lady and coquette with aplomb. Her numerous ensembles … crackled with emotional and musical tension.”
Harlow Robinson, Boston Globe
Brilliant Booby and Boor from Rose
“James Maddalena, as the Boor, was in fine voice, as was Heather Buck, as the Widow Tamara.... In one of the most winning moments among many in this opera, there is a charming duet between Maddalena and Buck, a back-and-forth between lush lyricism (in dim light) suggesting their increasing warmth toward to each other.”

Bettina A. Norton, Boston Musical Intelligencer
N.C. Symphony, Master Chorale end season with spectacle
"Soprano Heather Buck floated through the sensuous filigree assigned her, successfully nailing the cruelly exposed high notes."
Roy C. Dicks, News & Observer
Glass' ORPHÉE - Virginia Opera
"As La Princesse, Heather Buck was a powerful presence. ... Her expressive fire proved gripping, especially in the conflicts of Act II, when the character's hold on Orphée began to fail."
Tim Smith, Opera News
Opera revels in mystery
"The two leading women - Sara Jakubiak as Eurydice and Heather Buck as La Princesse - bend their supple sopranos to their characters' often-anguished demands."
Roy Proctor, Richmond Times-Dispatch
"The cast, from the principals - Matthew Worth (Orpheus), Sara Jakubiak (Eurydice), Heather Buck (the Princess) and Jeffrey Lentz (Heurtebise, the princess' chauffeur) - to those singing the briefest supporting roles, is uniformly strong and gratifyingly nuanced in both voice and character. Jakubiak and Buck are ... riveting, as both singers and actors."
Clarke Bustard, Letter V
Virginia Opera captures spirit of Philip Glass' 'Orphee'
"As La Princesse, Heather Buck projected powerfully.... She rose to the emotional peaks in Act 2 affectingly, making this curious character all the more sympathetic."
Tim Smith, Baltimore Sun
Virginia Opera's robust staging of Philip Glass' 'Orphee'
"But perhaps the finest and most interesting performance of the evening was turned in by fellow soprano Heather Buck who starred in the central role of the Princess, aka Death. Regal, elegant, and haughty to the extreme, Buck's Princess gradually melts as she admits her undying-and forbidden-love for Orpheus. Buck's soaring near-soliloquy near the end of the second act is a high point in Glass' otherwise spare score, and she delivered it with great vocal depth and conviction."
Terry Ponick, Washington Times
Virginia Opera Does It Again
"Much of this cast's magic is due to the regal presence, vocally and dramatically, of soprano Heather Buck as La Princesse. We last reviewed her as a venomous Queen of the Night in an odd Magic Flute at Santa Fe Opera, and the same icy strengths were assets here as the bewitching figure of death, both loving and terrifying."
Charles T. Downey, IonArts
Opera's 'Orphée' powerful, haunting
"The large cast had no weaknesses.... Buck, in particular, was movingly intense at the end of the opera when her character surrenders Orphée and returns him to his life."
Paul Sayegh, Virginian-Pilot
Opera Boston serves up a breezy and delightful "Beatrice et Benedict"
"The reluctant lovers are juxtaposed by their betrothed friends, Héro (sung beautifully by soprano Heather Buck) and Claudio (baritone David McFerrin). Buck's expressive Je vais le voir provided a highlight of the evening."
Keith Powers, Boston Classical Reivew
Review: Elmer Gantry
"Heather Buck sings sweetly as Lulu."
Ronni Reich, New Jersey Star-Ledger
The Other Mendelssohn Finds a New Champion
"The soprano Heather Buck was the strongest of the four vocal soloists."
Vivien Schweitzer, New York Times
Minor flaws fail to erode charm of 'Ariadne'
"The large and talented cast literally offers a voice for every taste, from the Wagnerian majesty of soprano Barbara Quintiliani in the title role and tenor Michael Hayes as Bacchus, her love and salvation, to the Mozartian effervescence of soprano Heather Buck as Zerbinetta and tenor Mathew Edwardsen as the dance master.

"Never mind soprano Buck's amazing vocal gymnastics and dancing in her aria, one of the most famed in all of opera."

Sally Vallongo, Toledo Blade
Total: 83 (Viewing: 31–60)