Vocalist - Baritone

Hailed by the New York Times for a voice that is "fully powered and persuasively expressive”, Matthew Worth is quickly becoming the baritone of choice for innovative productions and contemporary works on the operatic leading edge. He recently created the title role in David T. Little’s critically acclaimed new opera, JFK, with Fort Worth Opera. Opera News praised, “In appearance and voice, Matthew Worth, as JFK, has the All-American charisma and power you expect from a twentieth-century president.”

In the 2017-18 season, he reprised the role of JFK with Opéra de Montréal.  Other engagements included Bernstein's "Arias & Barcarolles" as part of the New York Festival of Song, the role of An Algerian in Luigi Nono's Intolleranza 1960 at Carnegie Hall, the Narrator in Richard Danielpour's The Passion of Yeshua with the Oregon Bach Festival, and Hannah Before in Laura Kaminsky's As One with Cincinnati Opera. Upcoming engagements in 2018-19 include Gioacchino in Il Barbiere di Siviglia with Boston Lyric Opera, and reprisals of The Passion of Yeshua, first with the UCLA Orchestra and Chorus, and then with the Buffalo Philharmonic Orchestra, JoAnn Falletta conducting.  

In the 2016-17 season, Mr. Worth lead another highly anticipated world premiere with Beth Morrison Projects as the Young Monk in Scott Wheeler’s Naga--part of Cerise Jacobs epic Ouroboros Trilogy. His other season engagements included a return to Atlanta Opera as Lieutenant Audebert in Tomer Zvulun’s award winning production of Silent Night and his return to the Atlanta Symphony Orchestra for Fauré’s Requiem with Donald Runnicles. In the spring of that season, Matthew Worth debuted Britten’s War Requiem with Kent Tritle at the Cathedral Church of Saint John the Divine.  

Matthew Worth recently debuted with the Colorado Symphony in Carmina Burana as well as with the Aspen Music Festival singing Saariaho's Cinq Reflets with Robert Spano. He also made his house and role debut with Opera Birmingham in Ricky Ian Gordon’s Green Sneakers, and starred in the southeastern premiere of David T. Little’s Soldier Songs in his Atlanta Opera debut.  

Also lauded for his work in the standard operatic repertoire, Matthew’s Guglielmo (Così fan tutte) was deemed “vocally impeccable…open and incisive” by the Boston Classical Review. Other notable roles include Figaro (Il barbiere di Siviglia), Mercutio (Roméo et Juliette), Valentin (Faust), Harlequin (Ariadne auf Naxos), and Tarquinius (The Rape of Lucretia). He has performed leading roles at Santa Fe Opera, Lyric Opera of Chicago, Washington National Opera, Castleton Festival, Tanglewood Festival, Pittsburgh Opera, Boston Lyric Opera, and Opera Theatre of Saint Louis, under such luminary conductors as James Levine, Lorin Maazel, and Sir Andrew Davis.  

Matthew is a committed recitalist and active concert soloist. He performed Schumann’s Dichterliebe and Mahler’s Songs of a Wayfarer with the Santa Fe Chamber Music Festival, and was praised by the New York Times as “simply superb, singing with exquisite sensitivity”. Matthew made his Carnegie Hall debut in Brahms' Ein deutsches Requiem under James DePriest while still a student at the Juilliard Opera Center. He made his Alice Tully Hall debut with the Richmond Choral Society in Carmina Burana and has since been featured in concerts with the Atlanta Symphony, the Philadelphia Orchestra and the Boston Pops Orchestra, and has performed with conductors Donald Runnicles, Robert Spano and James Conlon.    


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